Genuflectant omnes in plano

vanishedschism:

Seriously though, if you don’t think asexual representation is important, you need to get educated, because it is really hard to live in a sex-centric culture and not be interested in sex. 

I have seen so many posts about finding out about asexuality after joining tumblr and you know what word almost all over them have in common? Broken. 

And that’s fucked up.

(via doublechinqueer)

— 3 hours ago with 15408 notes
kingknowbody:

ouijubell:

shizukasmack:

tedikuma:

Another comic I started last night. This one is basically about what it was like being African American in high school, minus the supernatural transformation at the end.

This is awesome. 

YASSSSS!!!!

This is perfect

kingknowbody:

ouijubell:

shizukasmack:

tedikuma:

Another comic I started last night. This one is basically about what it was like being African American in high school, minus the supernatural transformation at the end.

This is awesome. 

YASSSSS!!!!

This is perfect

(Source: theodore3.com, via hairybuttsarebeautiful)

— 4 hours ago with 11586 notes
Ya'll be like:I love black girls......with european features
Ya'll be like:Black girls with afros are amazing...as long as they got light skin.
Ya'll be like:Black girls are beautiful...but just the ones who are white passin' or as racially ambiguous as possible.
Ya'll be like:Natural hair is the best hair...as long as the curls are really really loose.
— 5 hours ago with 6571 notes
9monthvacation:

evolutia:

toneverforever:

Post racial Amerikkka

I’m so disgusted.

God, I hate whiteness.

9monthvacation:

evolutia:

toneverforever:

Post racial Amerikkka

I’m so disgusted.

God, I hate whiteness.

(via paper-trains)

— 5 hours ago with 21421 notes
#racism tw  #lynching tw 
"Being born a woman is an awful tragedy. Yes, my consuming desire to mingle with road crews, sailors and soldiers, bar room regulars—to be a part of a scene, anonymous, listening, recording—all is spoiled by the fact that I am a girl, a female always in danger of assault and battery. My consuming interest in men and their lives is often misconstrued as a desire to seduce them, or as an invitation to intimacy. Yet, God, I want to talk to everybody I can as deeply as I can. I want to be able to sleep in an open field, to travel west, to walk freely at night."

Sylvia Plath

fuck every single time that last line gets quoted without the rest

(via sadjailbait)

(Source: raccoonwounds, via fudgetasticalmind)

— 5 hours ago with 173509 notes

zombikki:

beemill:

Massachusetts State Police Issue Apology for “Racial Profiling Saves Lives” Bumper Sticker, But Not Before Lying About It

Massachusetts State Police issued an apology Monday for a bumper sticker on one of their police cruisers that read: “Racial Profiling Saves Lives,” but not before lying about it.

Boston resident Chris Kantos, was walking Sunday morning and came across on official police cruiser, number 1183, and noticed an odd bumper sticker on it.

Kantos tweeted this image out immediately.

Instead of apologizing immediately, Boston PD removed the sticker and published a second image of the cruiser with no bumper sticker. Then accused Kantos of photoshopping the image.

“Why on earth would I photoshop something like that?” Kantos asked on Twitter.

read more: http://thefreethoughtproject.com/police-issue-apology-racial-profiling-saves-lives-bumper-sticker-lying/

what the fuck

(via hairybuttsarebeautiful)

— 9 hours ago with 16863 notes
cracked:

sorenbowie:

codyjohnston:

shinji-kun69:

Don’t ever fucking try to tell me that white people aren’t targeted and discriminated against for the color of their skin. Don’t ever try to fucking say that ANYONE has never been discriminated against. If you want fucking justice, then ACT on that justice.

HI UM NOPE
This headline is the deformed offspring of lies, bad reporting, and a Getty Image from 2012 taken after a man was beaten by police at the Occupy Wall Street protests.
The article cites no sources and reads like a Facebook Aunt telling a story they heard from their son’s buddy Taylor, most likely because it’s a poorly-paraphrased version of this also false article that calls itself ”White Man Cold-Cocked By Vicious Ferguson Mob In Blatant Racist Attack.” Money quote from the article:

“Most recently, a man was simply standing outside of a St. Louis McDonald’s where he was surrounded by a group of black man who punched the man in the face for no reason whatsoever. Seemingly unprovoked, the group intentionally targeted this man for nothing more than his skin color in a backwards attempt at justice for Mike Brown.”

Ah, yes, the classic “for no reason whatsoever” immediately followed by “for nothing more than his skin color in a backwards attempt at justice for Mike Brown” trick. That old reporting chestnut.
Anyway. The tale of an entire mob attacking this man was
followed up by showing these tweets, where the story originated:

This is all from the same article, mind you. There’s a paragraph describing a mob of black men attacking this white guy, and then they show the actual source describing a single black man punching the guy in the face once. Also? The Knockout Game doesn’t exist.
ALSO also?

So really, “Black Man Punches White Man In Face, Other Black Men Try To Apprehend Black Man Who Punched White Man In Face,” because Ferguson’s hero-to-asshole ratio is actually through the fucking roof.
And yet…

Anyway. It sucks that the guy got punched a couple weeks ago, but if you’re going to lie about it, try being just so much better at lying.

Cracked shouldn’t be the “journalists” catching this kind of thing. If you read something that sounds outrageous but tickles that part of your brain that wants it to be true, there’s a good chance it’s made up specifically to do that tickling. Take twenty minutes to research it before sharing or you sound like an idiot.

We can de-bullshit you on this kind of stuff but honestly it’s getting exhausting.

cracked:

sorenbowie:

codyjohnston:

shinji-kun69:

Don’t ever fucking try to tell me that white people aren’t targeted and discriminated against for the color of their skin. Don’t ever try to fucking say that ANYONE has never been discriminated against. If you want fucking justice, then ACT on that justice.

HI UM NOPE

This headline is the deformed offspring of lies, bad reporting, and a Getty Image from 2012 taken after a man was beaten by police at the Occupy Wall Street protests.

The article cites no sources and reads like a Facebook Aunt telling a story they heard from their son’s buddy Taylor, most likely because it’s a poorly-paraphrased version of this also false article that calls itself ”White Man Cold-Cocked By Vicious Ferguson Mob In Blatant Racist Attack.” Money quote from the article:

Most recently, a man was simply standing outside of a St. Louis McDonald’s where he was surrounded by a group of black man who punched the man in the face for no reason whatsoever. Seemingly unprovoked, the group intentionally targeted this man for nothing more than his skin color in a backwards attempt at justice for Mike Brown.”

Ah, yes, the classic “for no reason whatsoever” immediately followed by “for nothing more than his skin color in a backwards attempt at justice for Mike Brown” trick. That old reporting chestnut.

Anyway. The tale of an entire mob attacking this man was

followed up by showing these tweets, where the story originated:

image

This is all from the same article, mind you. There’s a paragraph describing a mob of black men attacking this white guy, and then they show the actual source describing a single black man punching the guy in the face once. Also? The Knockout Game doesn’t exist.

ALSO also?

image

So really, “Black Man Punches White Man In Face, Other Black Men Try To Apprehend Black Man Who Punched White Man In Face,” because Ferguson’s hero-to-asshole ratio is actually through the fucking roof.

And yet…

image

Anyway. It sucks that the guy got punched a couple weeks ago, but if you’re going to lie about it, try being just so much better at lying.

Cracked shouldn’t be the “journalists” catching this kind of thing. If you read something that sounds outrageous but tickles that part of your brain that wants it to be true, there’s a good chance it’s made up specifically to do that tickling. Take twenty minutes to research it before sharing or you sound like an idiot.

We can de-bullshit you on this kind of stuff but honestly it’s getting exhausting.

(via hairybuttsarebeautiful)

— 9 hours ago with 9948 notes
just-call-me-vendetta:

August 15, 2014
This is a friend’s nephew. This is all the information I have right now. As updates come I will give them, but for now, I’m asking for a SIGNAL BOOST!

just-call-me-vendetta:

August 15, 2014

This is a friend’s nephew. This is all the information I have right now. As updates come I will give them, but for now, I’m asking for a SIGNAL BOOST!

(via hairybuttsarebeautiful)

— 9 hours ago with 27719 notes
atane:

zuky:

nezua:

Flappers shaming Miley Cyrus.

Oddly enough we could say that Miley Cyrus is following solidly in the appropriative footsteps of white flappers, who in the 1920s grabbed national attention and stirred alarmism concerning the end of civilization because they partied to Black music, wore their hair short like Josephine Baker (who fled US racism to become a superstar in Europe), and imitated dance moves from Baker and other Black dancers. The famously flapperesque Charleston was lifted from the African American dance called the Juba, which had West African roots and was danced in secret in the South and the Caribbean. The dance sped up when it reached Harlem, giving birth to both tap dancing and the Broadway hit called The Charleston, which spread like wildfire from there. White people didn’t sway their hips this scandalously prior to that era, making flappers roughly equivalent to white twerkers of the Jazz Age.

This is 100% true. The period from the jazz age to the beat generation, comparatively speaking was the height of cultural appropriation of black art. The beat generation used lingo popularized by Lester Young. They then appropriated the style, dress, and lingo of bebop musicians like Charlie Parker and Dizzy Gillespie, down to the beret, glasses, and soul patch. Bebop musicians, Parker and Gillespie in particular, were the blueprint of their image. Norman Mailer wrote an essay titled “The White Negro" that tackles this phenomenon. I’m no fan of Norman Mailer, but at least he admitted that white people were stealing from blacks. He wrote it in 1957.
With regards to the flappers, apart from Josephine Baker, they also liberally borrowed from black vaudeville performers. They would copy dance moves from black performers, and then introduce it as their own. Many dances attributed to whites are from black vaudeville performers who were forced to perform on the chitlin’ circuit because of segregation and Jim Crow laws.
It really is astonishing how nothing has changed in this regard. For example, people to this day still call Benny Goodman “the king of swing”, when what he did was procure charts for arrangements from Fletcher Henderson, a black man. Goodman’s biggest hits were from Henderson. It’s amazing how much credit Goodman gets for another man’s work. Of course Goodman became “the king of swing”, while Fletcher Henderson remains a footnote in history. How a white man becomes the king of something innovated by blacks is astounding. Benny Goodman is called “the king of swing”. Paul Whiteman is called “the king of jazz”. Elvis Presley is called “the king of rock n roll”. Is Eminem the king of rap? What about Justin Timberlake and Robin Thicke with r&b? Miley is soon on her way to become “the queen of twerking”.
Anyway, apart from getting his charts from Fletcher Henderson, Benny Goodman got his ass handed to him by Chick Webb at the Savoy Ballroom when they had a battle of the bands. Goodman is often noted as being one of the few white men in the segregation era to have black men in his band, and the narrative is typically presented as if he did it out of benevolence. He did it because there was no way to get around the fact that swing music was the domain of black folks, and he poached the best black players he could find to bolster his band, and black musicians went with him because as a white man, he was able to pay them more than black bandleaders, and they wouldn’t have to deal with indignity while traveling. Many hotels refused black bands, so they often had to sleep in cars, bus terminals, or crash at the homes of hospitable blacks. A big portion of Duke Ellington’s money went towards renting out train cars and making sure his orchestra had a place to sleep while on the road because hotels often turned them down because they were black. These were issues Goodman wasn’t going to face. Black musicians certainly didn’t go with him because he was the best. Goodman even later hired Henderson to arrange and play in his band. He wasn’t doing it because he loved black people. Black people were the ones creating and innovating. Where else would he get the best charts and arrangements? Now that the smoke has cleared and the dust has settled, Goodman gets all the credit. Funny how that works.
This stuff has been going on for a long time. Miley is the 2013 version. Twerking has been around for a long time, but Miley convulses on national tv and all of a sudden, dictionary definitions of twerking are made. Definitions complete with no mention of black people, like all this happened in a vacuum. It’s history repeating itself over and over again. I see the same thing happening with afrobeat music.

atane:

zuky:

nezua:

Flappers shaming Miley Cyrus.

Oddly enough we could say that Miley Cyrus is following solidly in the appropriative footsteps of white flappers, who in the 1920s grabbed national attention and stirred alarmism concerning the end of civilization because they partied to Black music, wore their hair short like Josephine Baker (who fled US racism to become a superstar in Europe), and imitated dance moves from Baker and other Black dancers. The famously flapperesque Charleston was lifted from the African American dance called the Juba, which had West African roots and was danced in secret in the South and the Caribbean. The dance sped up when it reached Harlem, giving birth to both tap dancing and the Broadway hit called The Charleston, which spread like wildfire from there. White people didn’t sway their hips this scandalously prior to that era, making flappers roughly equivalent to white twerkers of the Jazz Age.

This is 100% true. The period from the jazz age to the beat generation, comparatively speaking was the height of cultural appropriation of black art. The beat generation used lingo popularized by Lester Young. They then appropriated the style, dress, and lingo of bebop musicians like Charlie Parker and Dizzy Gillespie, down to the beret, glasses, and soul patch. Bebop musicians, Parker and Gillespie in particular, were the blueprint of their image. Norman Mailer wrote an essay titled “The White Negro" that tackles this phenomenon. I’m no fan of Norman Mailer, but at least he admitted that white people were stealing from blacks. He wrote it in 1957.

With regards to the flappers, apart from Josephine Baker, they also liberally borrowed from black vaudeville performers. They would copy dance moves from black performers, and then introduce it as their own. Many dances attributed to whites are from black vaudeville performers who were forced to perform on the chitlin’ circuit because of segregation and Jim Crow laws.

It really is astonishing how nothing has changed in this regard. For example, people to this day still call Benny Goodman “the king of swing”, when what he did was procure charts for arrangements from Fletcher Henderson, a black man. Goodman’s biggest hits were from Henderson. It’s amazing how much credit Goodman gets for another man’s work. Of course Goodman became “the king of swing”, while Fletcher Henderson remains a footnote in history. How a white man becomes the king of something innovated by blacks is astounding. Benny Goodman is called “the king of swing”. Paul Whiteman is called “the king of jazz”. Elvis Presley is called “the king of rock n roll”. Is Eminem the king of rap? What about Justin Timberlake and Robin Thicke with r&b? Miley is soon on her way to become “the queen of twerking”.

Anyway, apart from getting his charts from Fletcher Henderson, Benny Goodman got his ass handed to him by Chick Webb at the Savoy Ballroom when they had a battle of the bands. Goodman is often noted as being one of the few white men in the segregation era to have black men in his band, and the narrative is typically presented as if he did it out of benevolence. He did it because there was no way to get around the fact that swing music was the domain of black folks, and he poached the best black players he could find to bolster his band, and black musicians went with him because as a white man, he was able to pay them more than black bandleaders, and they wouldn’t have to deal with indignity while traveling. Many hotels refused black bands, so they often had to sleep in cars, bus terminals, or crash at the homes of hospitable blacks. A big portion of Duke Ellington’s money went towards renting out train cars and making sure his orchestra had a place to sleep while on the road because hotels often turned them down because they were black. These were issues Goodman wasn’t going to face. Black musicians certainly didn’t go with him because he was the best. Goodman even later hired Henderson to arrange and play in his band. He wasn’t doing it because he loved black people. Black people were the ones creating and innovating. Where else would he get the best charts and arrangements? Now that the smoke has cleared and the dust has settled, Goodman gets all the credit. Funny how that works.

This stuff has been going on for a long time. Miley is the 2013 version. Twerking has been around for a long time, but Miley convulses on national tv and all of a sudden, dictionary definitions of twerking are made. Definitions complete with no mention of black people, like all this happened in a vacuum. It’s history repeating itself over and over again. I see the same thing happening with afrobeat music.

(Source: melanskyyworld, via hairybuttsarebeautiful)

— 9 hours ago with 44125 notes